Throughout the nineteenth century, the ‘fairground’ —loosely translated as the ‘sideshow’ of the traveling circuses of the day—was a popular theme with the press and artists alike.
Anchoring an exhibition of 100 related works on this theme at the Metropolitan Museum of Art, is a masterpiece of the museum’s collection, the sublime Circus Sideshow (Parade de cirque) painted in 1887-88 by Georges Seurat (1859-1891).
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